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Guitar: Lesson 17
The Five Major Arpeggio Patterns
By Zack Cart
Prerequisites:
You
should be able to understand and perform the concepts and techniques outlined
in the following lessons before attempting this lesson:
Guitar: Lessons 1-16
Music Theory: Lessons 1-11
--------------------------------------------------------------------------------------------------
In
the previous lesson we learned the five patterns of the major/minor scale, and
saw how they could be formed into one, fretboard encompassing scale pattern.
This lesson will demonstrate the same concept with the major triad arpeggio.
Five
patterns of this arpeggio will be diagramed, and as with the scale, each fits
into the next, to form a macro-pattern which repeats itself across the
fretboard, and is moveable to play as any major triad arpeggio.
In
the following diagrams, the frets of the pattern labeled "R" are the
notes which are the root of the Major triad. Those labeled "M3" are
the major thirds, and those labeled "P5" are the perfect fifths.
This
lesson should be otherwise self-explanatory, thought time and study will be
needed to fully internalize the material.
MAJOR TRIAD ARPEGGIO PATTERN 1

MAJOR TRIAD ARPEGGIO PATTERN 2

MAJOR TRIAD ARPEGGIO PATTERN 3

MAJOR TRIAD ARPEGGIO PATTERN 4

MAJOR TRIAD ARPEGGIO PATTERN 5

That's it!